
The notebooks, diaries and folders created by Charles Bean during and after the First World War have immense historic value and are considered to be one of the most significant records created by a single Australian...

The notebooks and diaries of C.E.W. Bean provide valuable insight into the last days of the First World War. Bean was Australia’s sole official correspondent and he worked assiduously throughout the four years of the war recording events, often from the front line. ...

War films show soldiers constantly locked in battle and participating in non-stop action – but the reality of war is actually much different. ...

HMAS Parramatta (author's collection) The Australian War Memorial faces unique challenges presented by the modern age to its collection development for recent conflicts, including Iraq and Afghanistan...

Australian War Memorial
Set in the bleak grey brown landscapes of Iraq, No Dramas
portrays the Australian experience of the war from the point of view of
individual soldiers. The waiting, the tension and the isolation are
explored cinematically. The young soldiers are exposed to the
ever-present possibility of being targetted by an enemy they can...not
identify. The film was shot in April 2006 by Robert Nugent while on an
official commission for the Australian War Memorial.Read More
portrays the Australian experience of the war from the point of view of
individual soldiers. The waiting, the tension and the isolation are
explored cinematically. The young soldiers are exposed to the
ever-present possibility of being targetted by an enemy they can...not
identify. The film was shot in April 2006 by Robert Nugent while on an
official commission for the Australian War Memorial.Read More
Source: www.canberrafilmfestival.com.au
Join us after the screening for a panel discussion on the difficulties of documenting conflict. The expert panel includes filmmaker Rob Nugent and moderator Virginia Haussegger.

Here is the first of several blog posts about the wedding dreses being considered and conserved for our upcoming Of love and war exhibition. Recently the Textile Conservation Laboratory retrieved from storage four wedding dresses that are proposed for the up and coming exhibition Of love and war...

Mr Ray Hasler accepts a Lone Pine tree seedling from senior historian Peter Burness on the 75th anniversary of the tree planting It has been 75 years since the Duke of Gloucester planted a tree in the grounds of the Australian War Memorial , in memory of all those who fought and died at the Battle...

Around Australia racing excitement is reaching fever pitch in anticipation of next week’s Melbourne Cup. ...

On December 3, 2009, the Australian War Memorial will be opening its exhibition “Of love and war”. Th...

The Memorial’s Research Centre holds over 900 First World War German Official and Regimental Histories in its Published Collection. These extensive holdings of rare German language histories are mainly due to the foresight and enthusiasm of Capt. J. J. ...

In January 1919 tattered pieces of uniform were found lying among the bones of the men of the 16th Battalion, who were killed trying to advance at the Bloody Angle on 2 May 1919...

To celebrate the arrival of ‘Masterpieces from Paris: Van Gogh, Gauguin, Cezanne and beyond,’ teachers passionate about art are being invited to participate in a special learning day in Canberra. Th...








This work is typical of the recruitment posters aimed at women during the Second World War. It draws on elements of popular visual culture to counter the perception of only a few years before that it was inappropriate for women to enlist in the military services or to work in heavy industry and agriculture. In bright and vibrant colours it uses imagery typical of pre war and contemporary advertising in its line up of attractive, radiant women of indeterminate age and social standing. The six women depicted include members of the three services, army and civilian nurses and, right at the front, a generic factory worker or land army girl. The imagery and the wide range of occupations make the poster all-encompassing, implying that there is a job for every Australian women and that she must take it up. The airbrushed attractiveness of the women also suggests that women who take up these new forms of employment retain their femininity, a major concern for men, and a reassurance for the women that their new and unfamiliar roles were legitimate.


