American Cinematographer
American Cinematographer has been published by the American Society of Cinematographers since 1920.
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American Cinematographer

American Cinematographer "If I get stuck on what I've attained in the past & I'm reaching back to scenarios I've created before, I'm not going to evolve any further. That's when you've lost the passion for your work." -Phedon Papamichael, ASC

9 hours ago
American Cinematographer
American Cinematographer
(American Cinematographer, July 1996)
9 hours ago
Kalle Jauernik

Kalle Jauernik What's about the storyellers?
All
the time you send martial arts, comic performances, war heroics and
perfidious killing in to many mainstream feature films, spreaded all
over the world...Haven't you realized that to many people adapted "fiction" into reality-take care about the young generation! Give them more perspectives!

13 hours ago · Report
American Cinematographer

American Cinematographer "I judge cinematography by night-exterior lighting more than anything else." -Chuck Russell

Yesterday at 12:43pm
American Cinematographer

American Cinematographer "You have to make the director's movie. Many times you see movies where the cameraman does his job and the director does his job, and somehow the two just don't connect." -Vilmos Zsigmond, ASC

Yesterday at 7:13am
American Cinematographer
American Cinematographer
(American Cinematographer, Nov. 1984)
Yesterday at 7:14am
Christopher Chomyn
Christopher Chomyn
and at the same time, you have to make it your own...
Yesterday at 9:04am
American Cinematographer

American Cinematographer "If you can reflect the light toward the lens, then you really start to create some magic." -Chris Menges, ASC, BSC

Tue at 10:21pm
Mandeep Bajwa
Mandeep Bajwa
and new moon
Tue at 10:29pm
Rob
Rob
twilight series is not well done... doesn't deserve a spot in AC
Yesterday at 7:32am
American Cinematographer

American Cinematographer "Tom Del Ruth [ASC] was the first guy I saw who combined hard & soft light out of the same instrument on an actor in one shot. [At first,] I thought the grips had made a mistake. He had the diffusion paper come halfway down the 5K Fresnel for the soft light on the face, while the paper didn't cover the light hitting th...e wardrobe." -Philip D. Schwartz

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Tue at 1:28pm
George Koblasa
George Koblasa
Phil, sometimes we work on tight budgets and are forced to cut the corners as you well know. In this case, it appears Tom had to cut some of the paper to help the production!?
Yesterday at 6:38pm
American Cinematographer

American Cinematographer "Past experiences can help support you, but the present is always full of surprises in moviemaking, as in life." -Peter Suschitzky, ASC

Tue at 6:44am
American Cinematographer
American Cinematographer
(American Cinematographer, Dec. 1996)
Tue at 6:45am
American Cinematographer

American Cinematographer "After 12 hours, your efficiency goes to zero & you're not doing anything except wasting film & money." -John V. Fante

Mon at 8:36pm
Edward
Edward
after being awake and moving for more than 14 hours the body begins to slow down and tire. don't just think of working hours, you have to be awake for both the commute there and home. do not suffer for art because you'll die before its seen the light of day. and that hyper feeling is actually just a small rush of adrenaline and the brain misfiring... See More - its actually not working correctly which you are observing.

the body needs rest to work properly no matter who you are. so go home and sleep and not waste the productions money or the crews lives.
Tue at 12:29pm
Joe Rubino
Joe Rubino
after 18 hours you brain explodes bc i have had it happen
Tue at 3:48pm
American Cinematographer

American Cinematographer "Whenever someone talks about good cinematography, they don't realize there are many things you have to have when you start—not just a good cinematographer, but a good production designer, a good costumer, a good make-up artist & a good editor...[who all] put their heart & soul into it." -John Alcott, BSC

Mon at 11:45am
Lioda Conrad
Lioda Conrad
As a make-up artist I kind of think that we create as much of the visual impact as the DOP. Is there an oscar for make-up on it's own and not for wardrobe?And here's another thought... I think there should be an oscar for "the one that got away"- in short an oscar for a performance on hind sight that without a doubt should have gotten one, but for some unknown reason never did... think "what's eating Gilbert grape"- leonardo di caprio as autistc son? There are plenty such examples...
Tue at 10:58am
American Cinematographer

American Cinematographer "I always tell the actors what I'm doing & why I'm doing it." -Sven Nykvist, ASC

Mon at 6:40am
American Cinematographer

American Cinematographer "If you put the camera in the wrong place, you can totally ruin an actor's performance. Some act with their eyes, others with their bodies; with some, the voice is the most important thing, and others use everything. It's really important to watch the actors carefully & become familiar with them." -Caleb Deschanel, ASC

November 22 at 7:40pm
Britton Foster
Britton Foster
well said. keep these quotes coming. they are great. thanks
November 22 at 11:10pm
Logan Thomas
Logan Thomas
Not so sure if that's your job... big guy... However, your work's ok.
Mon at 12:21am
American Cinematographer

American Cinematographer The December issue (pictured) marks the last of this design. We've done some modest tweaking & will unveil a new one in January. We hope you like it!

November 22 at 5:27pm
Sivakumar Vijayan
Sivakumar Vijayan
waiting for jan issue
great asc
November 22 at 8:23pm
Steven Bradford
Steven Bradford
I remember when the this design debuted and how refreshing it looked. I even called the designer at the time, to see if we could afford her for a project.
Mon at 10:01am
American Cinematographer

American Cinematographer An event in Australia worth checking out:

www.acmi.net.au
Open daily 10am - 6pmFull $17 Concession $12Family $50 (2 adults, 2 children) Each extra child $8View trailerTakea tour through the exhibitionWatch the video introduction by Dennis HopperSee the photos from opening nightSpecial exhibition eventsAn icon of American counter-culture. ...
American Cinematographer

American Cinematographer "All too often we're likely to find ourselves throwing in an extra light here & another there simply to correct something which is a bit wrong because of the way one basic lamp is placed or adjusted. If that one original lamp is in its correct place, the others aren't needed." -Nicholas Musuraca, ASC

November 22 at 1:10pm
Angelia Lee
Angelia Lee
ONE light towrds the subject is & alternative lighting (natural/with lighting) would be just fine, as long as it can gives the mood of what ur looking for in that scene...
November 22 at 8:47pm
American Cinematographer

American Cinematographer "After 'Mad Max' was released, I sat home & waited for the phone to ring for about 3 years." -David Eggby, ACS

November 22 at 6:14am
Rodney
Rodney
It was a long distance call.
November 22 at 7:02am
Christopher Keith Cates
Christopher Keith Cates
way ahead of the curve. feel the same.
November 22 at 7:54am