Organization Overview: Founded in 1982, The Joyce Theater was created by dancers for dance. Today, The Joyce is considered one of the premiere performance venues for dance and attracts an annual audience of more than 140,000. Since its inception, The Joyce has welcomed over 270 New York City-based, national and international dance companies to its stage. It would be difficult to imagine the dance world today without The Joyce Theater. In addition, The Joyce now oversees Joyce SoHo, a dance center in Lower Manhattan that is beautifully equipped with two dance studios for rehearsals and performances.

Mission: The mission of The Joyce Theater Foundation is to serve and support the art of dance and choreography, promote the richness and variety of the art form in its fullest expression, and enhance the public interest in, and appreciation of, dance and the allied arts of music, design, and theater.

Our programs embrace the entire spectrum of movement styles and traditions, from the time-honored to the untried, and are designed to encourage, sustain, and educate a diverse audience.

History: Founded in 1982, The Joyce Theater was created by dancers for dance. Today, The Joyce is considered one of the premiere performance venues for dance and attracts an annual audience of more than 140,000. Since its inception, The Joyce has welcomed over 270 New York City-based, national and international dance companies to its stage. It would be difficult to imagine the dance world today without The Joyce Theater. In addition, The Joyce now oversees Joyce SoHo, a dance center in Lower Manhattan that is beautifully equipped with two dance studios for rehearsals and performances.

The Joyce Theater was formerly the Elgin Theater, a 1941 movie house, but the building required a major renovation to create an elegant, intimate home for dance in New York City. The Elgin was originally a revival movie house that was closed by the community when it became a pornographic movie theater. The renovation took two years to complete and was guided by architect Hugh Hardy who preserved and expanded the patterned brick facade of the art-deco building. The entire interior was gutted to create a 472-seat theater with the technical specifications to serve the needs of small and medium-sized dance companies.

The Joyce owes its existence to many dedicated, visionary and courageous individuals. Foremost among them is LuEsther T. Mertz whose leadership support from the outset and her sustained commitment made the Theater and its programs on behalf of the non-profit dance community possible. In appreciation of her generosity, the Theater was named after her daughter, Joyce.

In 1996, The Joyce Theater Foundation also purchased Joyce SoHo. Once a three-story firehouse, Joyce SoHo is beautifully equipped with two dance studios for rehearsals—as well as a third space that doubles as studio and performance space, complete with 74 seats, lighting, and a box office.

In 2001, the Stephen and Cathy Weinroth Fund for New Work was established. Through this fund, selected dance artists receive commissioning support ranging from $5,000 to $25,000 to create a work to be performed at The Joyce Theater. Additional grants of $1,000 to $5,000 may be made for works to be performed at Joyce SoHo. There are seven Joyce-commissioned works that will be featured during the 2007-2008 season including new works performed by Elisa Monte Dance, Garth Fagan Dance, Molissa Fenley and Dancers, Evidence, A Dance Company, Nrityagram Dance Ensemble, Flamenco Vivo Carlota Santana and Hubbard Street Dance Chicago