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- Location:
- Cambridge, MA
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Recovering Reality: A Conversation with Errol Morris
Recovering Reality: A Conversation with Errol Morris for the Columbia Journalism Review. www.cjr.org
Were the famous Dust Bowl photographs art, journalism, propaganda -- or all three?
The conclusion of the Depression-era photo-fakery series, with an account of a visit with the subject of "Migrant Mother."
In this sixth installment of the Depression-era photography series, Arthur Rothstein's explanation of the cow-skull photo.
In the fifth installment on Depression-era photography and photo-fakery, the focus is on Walker Evans.
An examination of Depression-era photography and photo-fakery continues, and includes Walker Evans, Dorothea Lange and Preston Sturges.
If Walker Evans moved furniture around to stage photos for "Let Us Now Praise Famous Men," did that constitute photo-fakery?
The second installment of an investigation into the matter of the famous depression-era cow-skull photo.
In the 1930s, a photo of a cow skull leads to charges of photo-fakery and involves FDR, the Farm Services Administration and an enormous amount of press.
Source: www.newsweek.com
Errol Morris on the Art of the Mug Shot
A conversation with Ricky Jay on the nature of deception and lies, from the Bible to P. T. Barnum.
Errol Morris Jackpot Junior was a truly beloved French bulldog. He was so much part of our lives. It's hard to know how we will get along without him.
How should the secretary of defense be remembered? As a public servant, hawk, technocrat, hero or all of the above?
