Basic Info
- Name:
- Alber Elbaz is the Razz-à-ma-Tazz.
- Category:
- Entertainment & Arts - Fashion
- Description:
- >>The short of it:
Moroccan-born Elbaz cut his teeth at Geoffrey Beene and Guy Laroche before taking over the reins at Yves Saint Laurent in the late nineties. After being unceremoniously dumped from the latter, he found a home at Lanvin in the fall of 2001, and it’s been a perfect fit ever since. Season after season, Elbaz’s Lanvin is a go-to for luxe chic.
>>The long of it:
Alber Elbaz (born 1961) is an Israeli fashion designer.
Elbaz, an Israeli citizen, was born in Casablanca, Morocco.... (read more) - Privacy Type:
- Open: All content is public.
Contact Info
- Website:
- http://www.lanvin.com/
- Office:
- la maison des nœud papillons et des manchots
- Location:
- Paris, France
Recent News
- News:
- LANVIN SINGS THE BLUES
Alber Elbaz designs first denim line with Acne Jeans:
NEW YORK, April 29, 2008 - Alber Elbaz is delving into new territory: denim. The Lanvin designer revealed to Fashion Week Daily that he's in the initial stages of creating his first jeans line with Stockholm-based Acne Jeans. "I want to bring Lanvin into their know-how," Elbaz said Monday night at the Parsons benefit and fashion show, where he presented Barneys chief Howard Socol with an honorary award. While he noted that no official contract has been signed, Elbaz remains extremely excited about the project. "What if you don't want to wear a skinny jean?" he asked rhetorically, confirming that his line will offer women a variety of options. "It's time to go back to a product that has a dream to it. I asked myself, 'What kind of jeans can I bring that will be a Lanvin jean and Acne spirit infused in one?
While detractors may be quick to mention that a denim offering may downgrade Lanvin's exquisite main ready-to-wear collection, the designer is quick to note that the jeans collection will be neither a secondary line nor a cheaper product. "It's being created out of a need, like how we don't do an entire bridal line but instead have a few pieces," he said. "It's the first of several niches I'd like to build." Specific details on the collection are still in discussion, but Elbaz added that the line, whose price points will be comparable with current Lanvin rtw pieces, should be ready for a 2009 launch.
- Fashion Week Daily
AUTOMNE/HIVER REVIEW '08/'09
Lanvin Ready-to-Wear:
PARIS, March 2, 2008 – If there is one collection that encapsulated everything that's best about Fall—and gave it a high degree of personal expression—it would be Alber Elbaz's for Lanvin. You want the simplicity of a stark, covered-up, carved-out silhouette? It's here. You're craving a dose of multifaceted opulence with it? That's here, too. And what about a sexy, simple evening dress powerful enough to force you to spend, no matter how much? Look no further.
In one way, Elbaz's collection was a feat of technical genius. He'd started off by making fabric out of strips of grosgrain ribbon, winding hundreds of meters of the stuff around the body to make shapely dresses, blouses, and skirts—a step on from the free-flowing plissés of his Summer collection. What makes him so special, however, is the humility and realism of his focus. Instead of getting lost in the detail, he said, "Part of a designer's job is to be pragmatic. Not to be ashamed to think about making life easy for a woman."
The result was a tour de force of innovation and simplicity sparkled up with the most outrageously excessive jewelry—door knocker-sized crystals, slabs of gilt, giant cuffs. Every calibration of usefulness was represented, from plain wool work-ready day dresses and pantsuits through knockout fur and patent coats, asymmetric body-molding cocktail options right up to blindingly brilliant dresses made of vertical ribbons loaded with gold sequins. In a season when so many have anxiously cast around for what women will want in a recession, Elbaz has intuited the best answer of all: Give us restraint, give us pragmatism, but never slam the door on the possibility of utter gorgeousness.
– Sarah Mower
Précollection HIVER '08 REVIEW
Lanvin Pre-Fall:
NEW YORK, January 17, 2008 – Alber Elbaz gave the ladies what they want with his sophisticated pre-fall collection, which found the designer taking some of his favorite motifs—Grecian draping, a thirties sleeve, surface decoration—and pushing them just a little bit further. Raw-edged dresses, for instance, looked like simple slips from the front but came with ruffled backs. A satin-lined fur coat had a slouchy dishabille fit, and an exposed zipper fronted a don't-mess-with-me city coat. The muted palette, mainly black and gray (with shots of navy, teal, and forest green), let the eye linger on the shapes—both sculpted and draped.
– Laird Borrelli-Persson
PRINTEMPS '08 REVIEW
Lanvin Ready-to-Wear:
PARIS, October 8, 2007 – For lightness, technical brilliance, and sheer heart-racing excitement, Alber Elbaz's Spring collection was one of the most uplifting shows of the entire season. On a breeze, with nothing much more than a twist of polyester to hand, he captured fluidity, color, practicality, and a soaring kind of simplicity that caused a visceral response in every woman watching. To begin with, he brought the principles of goddess dressing to daywear, putting knee-length draped dresses under light, matching flyaway trenches in city-sober (yet utterly stunning) navy or khaki—Madame Grès gone techno. Elbaz's stand-alone dresses were masterpieces of cutting—seamless spirals, flowing trapezes, cool shifts magicked out of single lengths of material with maybe just a belt or a gathered drawstring for detail. "I have no words for it," he said, humbly. "I only wanted to start from instinct."
Few words, indeed, are equal to describing the drama of the pleated dresses that ballooned into airborne trains in movement—one each in cobalt, green, yellow, and red—or the embellishment. Pale ostrich plumes worked their way up the front of a white chiffon sheath, puffing upward to one shoulder and tethered to the body with a weighty pearl-and-enamel pendant. Patches of crystal and feather embroidery, almost African, were worked into intensely patterned shimmy dresses fit for a modern Josephine Baker. And the color kept on exploding on the retina: magenta, teal, red, coral, purple. By the finale parade, Elbaz had covered tux dressing, togas, shirts, pencil skirts, and even some of the season's best fluid pants. When he came out to take his bow, there was a roar of applause from the audience—recognition that this triumph was Elbaz's best Lanvin collection to date, and a celebration that, at long last, someone had come up with the insight to make a collection that is about enhancing the quality of women's lives today.
— Sarah Mower
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