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James Jebbia is Supreme
Monday, January 01, 0001 12:00:00 AM |
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| James Jebbia built a fiercely independent, internationally obsessed-over, street-fashion cult and skating-goods empire as a purveyor of clothes you can wear, art you can ride, and sneakers you can’t find. So what’s his prescription for surviving these sallow economic times? To make like the president and keep it cool. | ||
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Azzedine Alaia
Monday, January 01, 0001 12:00:00 AM |
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| The genius of the drape, the grandmaster of material, the poet of the silhouette. Only God knows a woman’s body better. But above all, he is the freest of spirits, a creator who answers only to his genius. Azzedine Alaïa is the last true couturier. Stephanie Seymour Brant talked to her mentor and adopted father about his African origins, his days with Dior, dressing Garbo, conquering New York, and paying supermodels with one-of-a-kind dresses | ||
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Mary-Kate Olsen
Monday, January 01, 0001 12:00:00 AM |
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| Enter the Age of Individualism. Enter the Era of Iconoclasm. Enter the moment of independence. And enter Mary-Kate Olsen. A woman who is made for these times. Here she is: unabound, uninhibited, and un-twinned. | ||
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Fashion World: A Report From the Front Row (Mostly)
Monday, January 01, 0001 12:00:00 AM |
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| In his diary of Milan and Paris Fashion Week, Glenn O'Brien picks up where he left off, taking on second-rate hotels, and bloggers who jump to conclusions. | ||
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Milla Jovovich
Monday, January 01, 0001 12:00:00 AM |
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| She was discovered by Richard Avedon at the age of 11, scored her first magazine cover by the time she was 12, became a world-famous model, took up acting, fronted a band, played Joan of Arc, launched a clothing line, had a kid, and emerged as a 21st-century action heroine with the world-beating Resident Evil franchise. Now, Milla Jovovich prepares for Chapter Two. | ||
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Rupert Friend
Monday, January 01, 0001 12:00:00 AM |
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| You’ll be seeing a lot of this gifted young man at the multiplex in the coming months. He’s a natural actor, even though he missed out on the movies as a kid, a literate craftsman who can play a gentleman—any decade or century—and is one himself, and a man suited to his profession due to a chronic wanderlust. Rupert Friend knows just what to say and how to say it. | ||
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