Motherland

My entry into this project was to make a film to end all lies on Africa, by entering an authoritative singular body of work into the canon of cinema. And in doing so satisfying the ultimate academic threshold but with no diminishing entertainment value. The aim with the narrative to create clear holistic debates that are solution driven and to create a Pan-African cinematic experience, which testifies to the potential of what can be achieved when African speaks with a unified voice in the vein of self-determination. The central agent in this documentary, like in 500 Years Later, is the African voice. The landscape of Africa is not a geographical domain but a spiritual one, and to capture Africa on film is to attempt to funnel the spirit of a people into a 4D format.