Typo Magazine

TYPO is a magazine devoted to typography, graphic design and visual communication. It is aimed at professionals as well as beginning typographers, font designers, graphic designers, educators and marketing and visual communication specialists. More details: http://www.typo.cz/en/magazine/?cislo=6

The Design Department at the Academy of Fine Arts in Katowice cordially invites all design teachers, researchers, students, alumni and professionals to participate in the 2nd International Design Conference under the heading “Responsibility in Graphic Design”, to be held on the 14–15th of Janua...

The brand new publication Posters of the 1989 Velvet Revolution contains reproductions of 47 posters from November and December 1989, and the stories surrounding the creation of the posters are captured in interviews with 13 poster creators...

Graphic designers (but not only) from six Central European countries meet every year at the conference aiming at group exchange of professional experiences and building of the field identity following the message of the guild, field groups, associations and traditions. ...

I found very comfortable the conference had single-track lectures so I didn’t face a dilemma whom to prefer. I was pretty satisfied with the idea od 20-minute lectures, it led to a speakers’ briefness. Du...

The weather in Mexico City is pretty monotonous: there is a rain at least once a day. ATypI conference continued with a load of lectures. One of the most successful presentations was a story of the letter ñ by José Scaglione & Andreu Balius (published in TYPO #32). And what else? ...

The international typography conference ATypI started in Mexico City. The lectures are held in a courtyard of a 18th Century building. Speakers are in the middle of the audience surrounded by 16 screens hanging in the stone porticos. So, what was the first day about? Gangster “e”! It...

The ParaType type foundry from Russia celebrated the three-hundred-year anniversary of the type reform by Peter the Great by organising an international modern Cyrillic competition entitled K’09. From 234 submitted typefaces from 13 countries, the jury selected 23 projects that received awards. ...