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Excited to announce the Anthropocene exhibitions at AGO - Art Gallery of Ontario and National Gallery of Canada coming Fall 2018 from artist collective Edward Burtynsky, Jennifer Baichwal and Nick de Pencier; simultaneous shows that include new stills & new lens-based artistic expressions.

More info here: http://bit.ly/2z4zLDb

#AnthropoceneProject

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AGO - Art Gallery of Ontario

We're thrilled to announce that next fall, the AGO and the Canadian Photography Institute (CPI) of the National Gallery of Canada will co-present Anthropocene, ...a major new contemporary art exhibition that tells the story of human impact on the Earth through film, photography, and new experiential technologies. Co-produced with MAST Foundation, Bologna, Italy, the exhibition is a component of the multi-disciplinary Anthropocene Project from the collective of photographer Edward Burtynsky and filmmakers Jennifer Baichwal and Nicholas de Pencier. Organized by the artists in partnership with the three organizations, Anthropocene will run at the AGO and NGC simultaneously from September 2018 through early 2019. #AnthropoceneProject

http://bit.ly/2zJZkZd

Edward Burtynsky: Lithium Mines #1, Salt Flats, Atacama Desert, Chile, 2017. Inkjet print, 58 ½ x 78 inches. Courtesy of the artist and Nicholas Metivier Gallery, Toronto. © Edward Burtynsky, 2017.

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For three decades, Edward Burtynsky has been documenting colossal mines, quarries, dams, roadways, factories, and trash piles.

From high in the air, the photographer captures sweeping images of industrial projects and their effects on the environment.
newyorker.com
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The Canadian edition of #EssentialElements is in stores today! *Note: these images have been cropped to fit this screen. All images are © Edward Burtynsky Learn more about Essential Elements here: http://www.edwardburtynsky.com/site_contents/Books/Essential_Elements.html
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“‪Opening the helicopter door to get some shots, 1200 ft over some fantastic landscapes in Africa.” – Edward right now on location in Africa.
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A sprawling slum of houses on stilts, built over a lagoon in Lagos, Nigeria, a city that Edward Burtynsky has described as a “hyper-crucible of globalism.” As Lagos is transformed by the forces of commerce and climate change, it offers a view of what he calls “large-scale systems that impress themselves on the land. Footage courtesy Edward Burtynsky/Anthropocene http://www.newyorker.com/magazine/2016/12/19/edward-burtynskys-epic-landscapes
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